Details of the Researcher

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Akihiro Ozaki
Section
Institute for Excellence in Higher Education
Job title
President-Appointed Extraordinary Professor

Professional Memberships 3

  • Historians of Netherlandish Art

    2005/04 - Present

  • 美学会

  • 美術史学会

Research Areas 3

  • Humanities & social sciences / History of thought / Japanese Studies

  • Humanities & social sciences / Art history /

  • Humanities & social sciences / Aesthetics and art studies /

Awards 1

  1. 阿部次郎文化賞

    2016/11　酒田市

Papers 43

  1. 「ふるさと」が問いかけるもの――食料・労働力・電力の供給地から共生・共死する共同体へ―― Invited

    尾崎彰宏

    金井浩、本江正茂、座小田豊 （監修）『未来を考える21の論点――心豊かな社会をつくる総合知』　91-102　2025/05

  2. SDGs and Apocalypse: Two Perspectives of Janus Invited

    OZAKI AKIHIRO

    Christopher Craig and Olga Kopylova (eds.), NARAKU: DISCORD, DYSFUNCTION, DYSOPIA, Mimesis, Milan 2025.　117-135　2025/03

  3. 生命をつくる画家・錬金術師レンブラント――２点の解剖学講義を手がかりに Invited

    尾崎 彰宏

    西洋美術研究　(21)　155-170　2024/10

  4. 「SDGsとアポカリプス――ヤヌスの二つの視線」 Invited

    尾崎彰宏

    東北大学教養教育＝編『環境と人間』（東北大学教養教育叢書 大学と教養7）東北大学出版会　7　135-154　2024/02

  5. 十七世紀オランダ美術にみる躍動する女性たち Invited

    尾崎彰宏

    『學士會会報』July No. 961. 2023　(961)　48-54　2023/07

  6. Rembrandt’s “Night Watch” : Battlefield of Classicism versus Vernacularism in the first half of the Seventeenth Century in Amsterdam Invited Peer-reviewed

    Akihiro Ozaki

    6　195-216　2023/03

  7. The Meeting of Asia and the Netherlands: On Van Gogh’s Challenge in Emulating Rembrandt Peer-reviewed

    Akihiro Ozaki

    Intercultural Relations/Relacje Międzykulturowe – Journal of Cultural Studies, Jagiellonian University　4　(2(8))　37-51　2021/08

  8. Rembrandt and Japanese Washi Paper: Toward an Aesthetic of Black Peer-reviewed

    Akihiro Ozaki

    IMAGES, PHILOSOPHY, COMMUNICATION Aesthetics and Thought in Japan and the World, Mimesisi, Milan, 2021　79-92　2021/03

  9. Porcelain’s White Gleam: Iconoclasm and Encounter between the Netherlands and Asia Peer-reviewed

    Akihiro Ozaki

    Kuroiwa, Taku (ed.). The Values of the Other. Sendai/Grenoble: GPJS (Tohoku University)/LITT&ARTS and ILCEA4 (Grenoble Alpes University), 2020　25-44　2020/12

  10. The Great East Japan Earthquake and Furusato/Home. Towards Furusato as a Sacred Space Peer-reviewed

    Akihiro Ozaki

    C. Craig, E. Fongaro, A. Tollini (eds.), Furusato: 'Home' at the Nexus of History, Art, Society, and Self, Mimesis International, Milan　45-58　2020/03

  11. 顔のドラマツルギー―レンブラントの自画像をめぐって Invited

    尾崎彰宏

    日本顔学会誌　19　(2)　5-16　2019/12

  12. After 3.11. Toward a Rehabilitation of the Mind Peer-reviewed

    Akihiro Ozaki

    3.11 Disaster and Trauma in Experience, Understanding, and Imagination , Mimesis International, 2019,　51-58　2019/03

  13. The Beginning of the Never-ending Struggle Peer-reviewed

    Akihiro Ozaki

    Ch. Craig, E. Fongaro, A. Ozaki (eds.), Knowledge and Arts on the Move. Transformation of the Self-Aware Image through East-West Encounters, Mimesis International, Milan　129-138　2018/03

  14. Vermeer's Love Letter and the East Peer-reviewed

    Akihiro Ozaki

    Ch. Craig, E. Fongaro, A. Ozaki (eds.), How to Learn? Nippon/Japan as Object, Nippon/Japan as Method, Mimesis International, Milan,　73-90　2017/03

  15. ベラスケスとレンブラント――粗描きにみる絵画論 Invited

    尾崎彰宏

    『ベラスケスとバロック絵画：影響と同時代性、受容と遺産』（公開国際シンポジウム報告書）　29-39　2016/11

  16. 「ヒエロニムス・ボッスの革新とそ のリバイバル：美術市場が創る新しい感性」 Invited

    尾崎 彰宏

    『西洋美術研究』　(19)　175-188　2016

  17. The Internal Body Revealed: Rembrandt”Who was a Godless Painter” Invited

    Akihiro Ozaki

    Art History（Bijyutusigaku）　(36)　1-7　2015

    Publisher:

    ISSN： 0387-2688

  18. L'impatto della sfida di Van Gogh a Rembrandt Invited

    OZAKI Akihiro

    Art History　(35)　1-19　2014

    Publisher:

    ISSN： 0387-2688

  19. Rembrandt's Spectacle : New Perspectives on the Pictorialization of Affecten (Emotions) from the Passion Series Invited

    (17)　137-151　2014

    Publisher:

  20. 十七世紀オランダ美術に描かれた女性たちをめぐって Invited Peer-reviewed

    尾崎彰宏

    『男と女の文化史』（東北大学文学研究科出版企画委員会篇）　6　163-207　2013/03

  21. Painted Images of Chinese Porcelain -Symbols of Holland as Seen in Still-Life Paintings

    OZAKI Akihiro

    (34)　1-12　2013

    Publisher:

    ISSN： 0387-2688

  22. The Artistic Challenges of Rembrandt as Painter-Printmaker Invited

    Akihiro Ozaki

    Rembrandt: The Quest for Chiaroscuro107　107-118　2012/03

  23. 「アルベルト・エックハウトの「静物画」――オランダ植民地総督ヨーハン・マウリッツの「ユートピア」の表象――」

    尾崎 彰宏

    『東北大学文学研究科年報』　(59)　37-65　2010

  24. The sacred and profane in Dutch art: a new approach concerning the emergence of still life Invited

    Studies in western art　(15)　84-99　2009

    Publisher:

  25. 「フェルメールのドラマツルギー」 Invited

    尾崎 彰宏

    『ユリイカ』2008年8月号　2008

  26. Rembrandt's Nude: Studey of Danaë Invited

    Akihiro Ozaki

    Rembrandt and Dutch History Painting in the 17th Century　111-122　2004/10

  27. Rembrandt and Melancholy--Transgressing between Allegory and Reality---, Invited

    Akihiro Ozaki

    Rembrandt as Norm and Anti-Norm　61-91　2004/06/30

  28. レンブラントのコレクション――観念の体系から歴史のまなざしへ Invited

    尾崎彰宏

    西洋美術研究　(8)　39-60　2002/09/15

    Publisher:

  29. A New Light on the Self-Portrait with a Sunflower--friendship and the love of painting Invited

    Akihiro Ozaki

    Art History　(22)　87-113　2002/03

    Publisher:

    ISSN： 0387-2688

  30. アペレスに扮する自画像、あるいは絵画論の自己投影――レンブラント最晩年の自画像をめぐって Invited

    尾崎彰宏

    『レンブラント、フェルメールとその時代』展、愛知県美術館、国立西洋美術館　49-54　2000/04

  31. Keith Moxey, Panofsky's Melancolia Invited

    OZAKI Akihiro

    Studies in Western Art　(4)　30-44　2000

  32. The Politics of Kavel van Mander : The Visual Strategy for the 'Academy' and the Praise of Painting Invited

    OZAKI Akihiro

    Studies in Western Art　(2)　26-43　1999

    Publisher:

  33. 「レンブラントの《貝殻》（B. 1）をめぐる一視点――東洋へのまなざし――」 Invited

    尾崎 彰宏

    『日蘭学会会誌』　(40)　1-19　1996

  34. Paradoxical Painter : Rembrandt Invited

    OZAKI Akihiro

    Bulletin of Society of Philosophy　25,1-28　1-28　1990

    Publisher:

    ISSN： 0287-0886

  35. A New Look at the Bust of a young man in the MOA Museum, Invited

    Akihiro Ozaki

    Art History(Bijyutushigaku),　11　(11)　p1-14　1989/03

    Publisher:

    ISSN： 0387-2688

  36. MOA美術館所蔵の《レンブラントの自画像》に関する一試論――レンブラントあるいはダウ

    尾崎彰宏

    『文化紀要』２７号　27　1-26　1988/03

    Publisher: 弘前大学

    ISSN： 0440-8624

  37. レンブラントの村落風景画に関する一考察 Invited

    尾崎彰宏

    『美術史学』　(9)　p94-65　1987/03

    Publisher: 東北大学大学院文学研究科美術史学講座

    ISSN： 0387-2688

  38. ネーデルラントにおける〈聖ペテロの否認〉の図像学的研究 Invited

    尾崎彰宏

    『鹿島美術財団年報』　(4)　194-203　1987/02

  39. ヘンドリック・ホルツィウスの「四大元素」連作に関する二、三の考察(昭和59・60年度科学研究費補助金（一般研究B）研究成果報告書：研究代表 田中英道)

    尾崎彰宏

    『西洋芸術における「メランコリー」概念の史的考察』　70-85　1986/03

  40. Some Observations on Rembrandt's and Lievens' artistic competitions (Aemuratio)---With special regard to their "Samson and Delila" Invited

    Akihiro Ozaki

    Art History　(7)　87-110　1985/03

    Publisher:

    ISSN： 0387-2688

  41. An analysis of "St. Peter dennyning Christ" by Rembrandt in the Bridgestone Gallery

    Akihiro Ozaki

    BUNKA　48　(3・4)　70-91　1985/02

    Publisher:

    ISSN： 0385-4841

  42. Observations on the motif of Saskia's drooping head in the drawings by Rembrandt during the 1630s Invited

    Akihiro Ozaki

    (6)　73-98　1984/03

    Publisher:

    ISSN： 0387-2688

  43. Some observations on Rembrandt's and Lievens' Raising of Lazarus Invited

    Art History　(4)　43-57　1982/03

    Publisher:

    ISSN： 0387-2688

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Books and Other Publications 34

  1. 『キリスト教文化事典』（キリスト教文化事典編集委員会 編）

    尾崎彰宏

    丸善出版　2022/08

  2. 静物画のスペクタクル：オランダ美術にみる鑑賞者・物質性・脱領域

    尾崎彰宏

    三元社　2021/03

  3. Encyclopedia of Aesthetics

    Encyclopedia of Aesthetics

    2020/12

  4. 看名画的眼睛：凡·高与伦勃朗 (中国語) （「ゴッホが挑んだ「魂の描き方」: レンブラントを超えて」の中国語訳）

    尾崎彰宏

    安徽美术出版社　2019/05

  5. 17世紀オランダ美術と〈アジア〉

    尾崎 彰宏

    中央公論美術出版　2018/12

  6. Knowledge and Arts on the Move: Transformation of the Self-aware Image through East-West Encounters

    OZAKI Akihiro

    Mimesis(Milan)　2018

  7. 『ネーデルラント美術 の光輝』

    尾崎 彰宏

    ありな書房　2017/02

  8. 『１７世紀オランダ美術の 東洋表象研究』（科学研究費基盤(A)報告書 (課題番号：24242008)代表：幸福輝）

    尾崎 彰宏

    国立西洋美術館　2017

  9. How to Learn? Nippon/Japan as Object, Nippon/Japan as Method

    OZAKI Akihiro

    Mimesis(Milan)　2017

  10. 『ネーデルラント美術の魅力 ヤン・ファン ・エイクからフェルメールへ』

    尾崎 彰宏

    ありな書房　2016/12

  11. 『視覚のラビュリ ントスⅣ 視覚のイコノグラフィア』

    尾崎 彰宏

    ありな書房　2015/07

  12. 『フェルメールと「風俗画」の巨匠たち』

    尾崎 彰宏

    小学館　2015

  13. 『カーレル・ファン・マンデル「北方絵画列伝注解」』

    尾崎 彰宏

    中央公論美術出版　2014

  14. ゴッホが挑んだ「魂の描き方」 : レンブラントを超えて

    尾崎, 彰宏

    小学館　2013

    ISBN: 9784098230259

  15. Rembrandt: The Quest for Chiaroscuro

    OZAKI Akihiro

    2012/03

  16. 栗原隆編『共感と感応――人間学の新たな地平』

    尾崎 彰宏

    東北大学出版会　2010

  17. 栗原・矢萩・辻本編『空間と形に感応する身体』

    尾崎 彰宏

    東北大学出版会　2010

  18. 「レンブラントと17世紀オランダ美術における女性表現に関する研究」、平成17年～19年度学研究費補助金・基盤研究(C)

    尾崎 彰宏

    2008/03

  19. 『線の巨匠たち展』

    尾崎 彰宏

    東京藝術大学附属美術館　2008

  20. 栗原隆編『形と空間の中の私』

    尾崎 彰宏

    東北大学出版会　2008

  21. 『レンブラント、フェルメールの時代の女性たち：女性像から読み解くオランダ風俗画の魅力』

    尾崎 彰宏

    小学館　2008

  22. ヒトと人のあいだ

    尾崎 彰宏

    岩波書店　2007/06

  23. 栗原隆編『芸術の始まる時、尽きる時』

    尾崎 彰宏

    東北大学出版会　2007

  24. 『フェルメール』

    尾崎 彰宏

    小学館　2006/06

  25. Rembrandt's collection

    Ozaki, Akihiro

    三元社　2004/04

  26. パンドラの匣 変貌する一神話的象徴をめぐって

    エアウィン・パノフスキー, ドラ・パノフスキー(尾崎彰宏, 阿部成樹, 菅野晶訳

    法政大学出版局　2001/11

  27. Michelangelo and the Poetic Origins of Italian Renaissance Art

    2001/10

  28. How we understand art ; A cognitive developmental account of aesthetic experience

    OZAKI Akihiro

    1996

  29. Illustration

    OZAKI Akihiro

    1996

  30. レンブラント工房：絵画市場を翔けた画家

    尾崎 彰宏

    講談社選書メチエ　1995/09

  31. The Baroque Art

    OZAKI Akihiro

    1995

  32. ケネス・クラーク『レンブラントとイタリア・ルネサンス』(翻訳)

    OZAKI Akihiro

    1992

  33. クリバンスキー,ザクスル,パノフスキー『土星とメランコリー』(翻訳)

    OZAKI Akihiro

    1991

  34. Imitation and Inspiration

    OZAKI Akihiro

    1989

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Presentations 16

  1. From Body Criticism to Decorativeness: Exploring Japan’s Anti-Classicism Impact on Modern European Art Invited

    Akihiro Ozaki

    The 8th Annual Hasekura International Japanese Studies Symposium Embodied Discourse ( Venue:SAPIENZA University of Rome Department Italian Institute of Oriental Studies) , Embodied Practice. The Body as Text, Medium, and Testimony in Japan　2024/01/25

  2. SDGs and Apocalypse: Aiming for Solidarity with Humankind in the Future Invited

    Akihiro Ozaki

    Naraku: Discord, Dysfunction, Dystopia　2022/09/27

  3. Rembrandt and Japanese washi paper: Toward an aesthetic of black Invited

    Akihiro Ozaki

    Images, Philosophy, Communication (University of Bologna)　2019/11/11

  4. « Porcelain’s White Gleam ： Iconoclasm and Encounter between the Netherlands and Asia » International-presentation Invited

    Akihiro Ozaki

    International Workshop : Les Valeurs de l'Autre, University Grenoble Alpes(France)　2019/03/08

  5. Transcultural Art Production of Urban Space in Amsterdam: Rembrandt Encounter with Asia International-presentation Invited

    Akihiro Ozaki

    "Rescaling Eurasian Cites: Cities as Places of Contact and Change" (International Symposium), Ca' Foscari University of Venice, 20-22 Feb.　2019/02/21

  6. The Great East Japan Earthquake and Furusato/Home – Towards Furusato as a Sacred Space Invited

    Akihiro Ozaki

    Furusato: Home at the Nexus of Politcs, History, Art, Society, and Self　2018/11/15

  7. Porcelain’s White Gleam： Iconoclasm and Encounter between the Netherlands and Asia International-presentation Invited

    Akihiro Ozaki

    Feeling and Emotion in Philosophy　2018/03/18

  8. “After 3.11: Toward a Rehabilitation of the Mind” International-presentation Invited

    Akihiro Ozaki

    International Conference 3.11：Disaster in Trauma, Experience, and Understanding, and Imagination (University of Ghent)　2018/03/12

  9. The beginning of the never-ending struggle: Carpe Diem. (Live in the Present) Slides Invited

    Akihiro OZAKI

    Knowledge and Arts on The Move : Transformation of The Self-Aware Image through East-West Encounters　2017/02/13

  10. ペラスケストレンブラント――粗描きにみる絵画論 Invited

    尾崎彰宏

    公開国際シンポジウム『ベラスケスとバロック絵画：影響と同時代性、受容と遺産』　2016/03/04

  11. Vermeer’s Love Letter and the East International-presentation Invited

    Akihiro Ozaki

    How to Learn: Nippon/Japan as Object, Nippon/Japan as Method (Palazzo Marucelli-Fenzi, Florence)　2015/10/29

  12. "A New View of Rembrandt’s Etching The Shell(B 159): Sharing Dreams of Asia as a “Community of the Imagination” International-presentation Invited

    Akihiro Ozaki

    Rome-Sendai-Leiden 2015 Workshop　2015/06/27

  13. Rembrandt and Islam International-presentation Invited

    Sympathies and Transformations, The 4th German-Japanese University Presidents' Conference (Tohoku University, Sendai)　2015/04/15

  14. "The Internal Body Revealed: Rembrandt “Who was a Godless Painter” International-presentation Invited

    Akihiro Ozaki

    Rome-Sendai-Leiden 2014 Workshop (Leiden University)　2014/03/24

  15. L'impatto dell' Oriente: L'enigma della sfida di Van Gogh a Rembrandt International-presentation Invited

    IRCA:International Research Center for Aesthetics and Art History (University of Rome Tor Vergata)　2013/03/19

  16. Painted Images of Chinese Porcelain. Symbols of Holland as Seen in Still-Life Paintings International-presentation Invited

    2013/03/18

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Research Projects 16

  1. 美術市場とその国際化に関する制度論的、交流史的研究。西洋から日本・アジアへの展開

    圀府寺 司, 小林 頼子, 安永 拓世, 池上 裕子, 青野 純子, 後小路 雅弘, 出川 哲朗, 陳岡 めぐみ, 五十殿 利治, 礒谷 有亮, 尾崎 彰宏, 河内 華子, 上原 真依

    Offer Organization: 日本学術振興会

    System: 科学研究費助成事業

    Category: 基盤研究(A)

    Institution: 大阪大学

    2019/04/01 - 2024/03/31

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    研究代表者は西洋と日本の間でいち早く美術品の取引を始めた画商のひとりS.ビングについての研究を中心に進めた。国外における調査がコロナで不可能になったため、ビングの日本滞在や日本との取引に関する調査ならびにウェブ・アーカイブなどオンライン・リソースで可能な調査を優先させて一定の成果が得られた。日本での調査はビングの日本支社S.Bing & Coのあった横浜および神戸の法務局や横浜開港資料館などにおいて実施した。 当初、この研究の成果を発表する予定であったTIAMSA(The International Art Market Studies Association)の国際学会(エジンバラ大学、2020年7月)は2021年に延期になったが、今年度2021年の5月から7月にかけてオンラインで開催されることになった。この機会を活かし、研究者のネットワーク形成にもつなげたい。 その他、Artnetにおけるオークション情報の活用、経済学部の研究者の数量的分析への協力など、他の研究の可能性も引き続き探ってきた。 研究分担者もコロナの制限下において、各自工夫して成果を出してきている。日本国内の研究には大きな支障はないため、東京文化財研究所の売立目録デジタルアーカイブ化の研究は順調に進んでいる。これは日本における諸成果のうちでも特に重要なもので、将来の作品来歴・市場研究につながるものとして特筆しておきたい。この他、オランダ、アメリカなどについても後述の業績内容で示すように継続的に一定の成果は得られつつある。

  2. Fashion in Dutch Art: 'Asia in Rembrandt and Vermeer

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (C)

    Institution: Tohoku University

    2020/04/01 - 2023/03/31

  3. Research on the formation process of photographic culture and visual materials in the Tohoku region

    MORIOKA Takashi

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (B)

    Institution: Yamagata University

    2016/04/01 - 2021/03/31

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    In addition, we emphasized the importance of the history of photographic culture in modern Tohoku by hosting symposiums, preparing reports, holding research meetings, attending academic conferences, and co-sponsoring public events.

  4. Empathic Expressions, Spectacles, and Art Market in the Dutch Art: Focusing on Rembrandt

    OZAKI AKIHIRO

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (C)

    Institution: Tohoku University

    2016/04/01 - 2020/03/31

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    Netherlandish art in the 15th century, especially Jan van Eyck's art, depicts not only symbolism and iconographic meaning, but also the movements and scenes of people who do not appear in the Bible. It became clear that the emotional expressions functioned in painting as an important factor. In order for these Dutch paintings to reach the recipients (consumers), the role of the art market becomes more important than ever before.The market in a broad sense based on social capital will restrain the freedom of the artist. On the other hand, however, competition has become a "place”that creates the greatest value of originality for modern artists. Giving an example from Rembrandt. The relationship between Rembrandt and the customer is sometimes hard to understand. They often clashed with each other. Nevertheless, even after the bankruptcy, Rembrandt continued to be involved in important work.The scandal was a testament to Rembrandt's habit and originality.

  5. Market and dealers in Western modern times. Geo-economical Studies.

    Kodera Tsukasa

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (A)

    Institution: Osaka University

    2014/04/01 - 2019/03/31

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    In the Western Countries studies of art market started in the 1980s and since then they have developed considerably. However, art market studies were the most retarded field of study in all genres of art historical studies. There were historical reasons for this. In the post-war period Japanese humanities have avoided the topics of "art and polytics/economy", but this has caused enormous lack of knowledge and understanding of the relation "art and economy". In the present study we have tried to introduce, assimilate research results of this field in the Western Countries, to undertake our own researches and to disseminate these studies in Japan. Our research results have attained our purposes in our publications and symposia.

  6. Asia in Dutch 17th-Century Art

    KOFUKU Akira, AONO Junko, FUKAYA Michiko, NAKADA Asuka, TAKASHIRO Yasuyuki

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (A)

    Institution: The National Museum of Western Art, Tokyo

    2012/10/31 - 2017/03/31

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    Dutch 17th-century art with its hallmark, landscape painting and genre painting, make a sharp contrast with the Renaissance art with paintings depicting mythological or bibilical subjects. And so the meaning of "Dutchness"has been discussed in Dutch art literature. On the otherhand, Dutch economy basically depends on its global trade and many commodities including art works came to the Netherlands.In this kind of society domestic culture is always oscillateing around foreign cultures. "Dutchness" is not only a domestic question but an international one. In this research Dutch 17th-century art was reconsidered from the Asian viewpoint, and "Dutchness" was dicusssed in vairiou ways.

  7. Interdisciplinary research for still-life in the Netherlandisch art

    Ozaki Akihiro

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (C)

    Institution: Tohoku University

    2013/04/01 - 2016/03/31

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    A still-life picture put in the last place in a classical art theory had an important role in Netherlands. It is discovery in the geography that began in Europe at the end of 15th century to have played a big role for the reevaluation. Identity crisis in Europa caused to happen by a great variety of things having flowed into Europe from New World. The reevaluation for the viewpoint of the ancient still-life happened to establish new identity. A religion images were prohibited by iconoclasm that swept over Netherlands in the late 16th century. The prohibition of the religious images did not let pictures decline and will multiply secular images. As a result, "still life" was produced a lot, and the fetishism was brought about. The "still life" in the Netherlands was promoted in particular by the prosperity with the Orient trade, and it was outstanding as representation of "the Netherlands", and expel the Old World such as Spain; it was revealed that performed a political function.

  8. The elucidation for the mechanism of common sense, that extends from sympathy to conscience, ant a reserch on its emergence

    KURIHARA Takashi, KATO Hisatake, ZAKOTA Yutaka, OKUDA Taro, ISAKA Seiji, YAMAUCHI Shiro, SUZUKI Kotaro, MIYAZAKI Yusuke, MATSUI Katsuhiro, SATO Toru, NOE Shinya, OZAKI Akihiro, OTABE Tanehisa, KIDO Atsushi

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (A)

    Institution: Niigata University

    2011/04/01 - 2015/03/31

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    This research elucidates the mechanism of Stimmung (mood), that is neither subjective nor personal. It works really intersubjectively between not only person and person, but also man and nature, moreover rules the atmosphere of the place. We confirm that we can constitute new anthropology and aesthetics on the basis of the Stimmung. We find that at the time of German Enlightment appear many publications for empirical psychology and anthropology in prints. Reinhold and also Fichte constructed their philosophical systems against empirical psychology. We discovered in Schelling's philosophy and Hegel's philosophy common idea brought about the empirical psychology and anthropology. Our studies clalify deep realm of unconsciousness under the philosophical knowledge, which is the origin of our creative faculties.

  9. Comparative studies of the artistic theory on formations and influences of Karel van Mander's Netherlandisch "Lives" in Schilder-Boeck

    OZAKI Akihiro, KOFUKU Akira, MOTOKI Kouichi, MORI Masahiko, HAGA Kyoko, HUKAYA Michiko, MATUI Michiko

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (B)

    Institution: Tohoku University

    2009 - 2012

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    The biggest results of research of "the Karel van Mander's Netherlandish "Lives" commentary" is completed. In the process of this translation study, our study clarified the following points.(1) Mander described history of Netherlandish paintings in 15, the 16th century, and, in"Schilder-Boeck," he used inventie (idea / originality), teyckenconst (line drawing art), wel verwen (coloring) on this occasion. (2) Mander wrote "Schilder-Boeck" independently, and, particularly, utilized a artistic theory on paintings of Venice, the chromatology which, in particular, was lectured on in "Aretino" of Lodovico Dolce in form to be opposed to "Lives" of Vasari. He reversed the essence and the relations of the essence and attribute,namely, sense of values of Vasari, was reversed,in teckenconst of Mander, while being strongly conscious of desegno of Vasari. Mander unified color in Venice and disegno of Florence, and drawing and color were tied to one with the painting. The most important element is a color downplayed as an attribute. (3)Paintings do notexist independently. The existence is prescribed by onlookers. In other words, the significances of the paintings are created in "between" paintings and collectors. In this study, historical view of Mander became clear and was able to open the new horizon for the studies of the Netherlandish paintings.

  10. Research into a basic role of sentiment establishing the function of subject by the recognition of shapes in space

    KURIHARA Takashi, KATO Hisatake, ZAKOTA Yutaka, OZAKI Akihiro, NOE Shinya, ISAKA Seishi, YAMAUCHI Shiro, SUZUKI Kotaro, SATO Toru, KIDO Atsushi

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (B)

    Institution: Niigata University

    2008 - 2010

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    We have confirmed that the subject is not constructed as self-foundation of ego, but perceived through its correspondence to recognition of shapes in space.

  11. Rembrandt and the female figure in seventeenth century Dutch Art

    OZAKI Akihiro

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (C)

    Institution: Tohoku University

    2005 - 2007

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    The purpose of this study is explore the various works by Rembrandt and another artists in his time. The domain that women managed, household was the small world, but it was not the dwarfish world. The women achieved the central role of seventeenth century Dutch genre painting. They are not evil women in the myth with a sacred woman either. They are the extremely ordinary women whom there is anywhere and painted lively. The seventeenth Dutch genre painting is superb in this point. The Dutch genre painting was freed from a role to explain religion and a myth and an allegory and is not pictured after life as they were, but made the human life by poetic imagination. The realism is the world that mind as the community produces and is the devices for people constituting a community to be able to receive specific reality. As a result, painting become the fiction which paints what is not in reality. Therefore, The meaning of an expressed image is not the thing which I can explain by the document texts such as the Bible and a myth or the fable throughout. In other words, it is expressed in the form that the mind (ethnicity, an ideology, the political nature, economy, social nature, gender) of the community is visible in painting. Therefore, "Dutchness" was expressed in the painting the trifling scene of everyday life that citizen became the leading role was painted.

  12. Rembrandt and the study on the collections in the 17the century in Netherlands

    OZAKI Akihiro

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (C)

    Institution: Tohoku University

    2003 - 2004

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    The purpose of this study is to explore the characteristics of Rembrandt's collection, the process of it's formation, and the extent to which the prints of Lucas van Leyden and Pieter Bruegel the elder(including the prints after him), which Rembrandt collected enthusiastically, exerted an influence upon the artist. Through exploration of his collection, furthermore, the argument is made that Rembrandt's purview exceeded the borders of Europe to include the visual material of East Asia. The author does not attempt to consider Rembrandt's collection as the systematic reflection of a unified concept, universal or encyclopedic in character, but rather to conceptualize it as a historical phenomenon. HIs collection is self-reflective, much like his self-portraits, and therefore proves to be one of the most fertile areas for aesthetic exploration of the Dutch seventeenth century.

  13. The theoretical studies of Classical Art

    TANAKA Hidemichi, OZAKI Akihiro, ARIGA Yoshitaka, MATSUMOTO Norio

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (B)

    Institution: Tohoku University

    2002 - 2003

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    Prof. Hidemichi TANAKA, the representative of this research group, has made comparative studies in Japanese and Western Classicism. Each scholars of this group has approached to the problem that what is the reflection of the classicism in artistic description, from their special field of study. Prof. Norio MATSUMOTO has focused on the subject "The ancient policy in ancient Rome". Basing on the study of Roman Art, he has made survey of the situation that Classical Art had flourished under the sovereign or emperor's politics. Prof. Masahiko MORI has focused on the issue of "Poussin and his academy" and analyzed the relationship between the classical art theory and Poussion's art in detail concerning his academy. Kaoru ADACHI has focused on the ancient in Parmigianino's pictures. Prof. Kouichi MOTOKI has verified that Albrecht Durer, a preeminent figure of German Classicism Art, had gotten much influence on his artistic expression from the ancient art. Prof. Akihiro OZAKI has examined about Rembrandt, a notable 17th-century Dutch painter, focusing on the theme "Rembrandt's Melancholy".

  14. On a function of studio・art・market・collection

    OZAKI Akihiro

    Offer Organization: Japan Society for the Promotion of Science

    System: Grants-in-Aid for Scientific Research

    Category: Grant-in-Aid for Scientific Research (C)

    Institution: Hirosaki University

    1996 - 1997

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    Painters of Netherlands had a studio more or less and made production of paintings and Education of pupils. The ambitious studio, which is the most important inside, is a that of Rubens. An ideal method of the studio gave big influence to Rembrandt. He lived with Antwerp after return home from ltaly and established a large-scaled studio there. He declined a count painter of Albert grand duke and princess Isabera which were those days, a ruler of Flanders, and he was peculiar in the point that was able to be active from control of painter association of a town freely, compared with another studios manager to it. As a result I released it from the agony of the thing which turned authority of the Imperial Court into a back, Rubens avoided limitation of sale of painter's association and he acquired a right to sell them. There was not an example by this, and the technique of picture productions of Rubens was unique. In other words, even if he was a work finished by one oneself or did not receive a difference in the selling price only by a design. Rubens was able to take a way that many works were judged by a high price by doing it in this way. Rembrandt receive influence from sale strategy of such Rubens, and it is Rembrandt that burnt a hot spirit of rivalry. He acquired an advatage of picturing market strategy in a way of a studio of this Rubens that is a name of a painter as a kind of brand name. It is possible for Rembrandt to have been the greatest understanding person of Rubens in this. sense.

  15. ファン・マンデルの画論と17世紀オランダ美術

    尾崎 彰宏

    Offer Organization: 日本学術振興会

    System: 科学研究費助成事業

    Category: 奨励研究(A)

    Institution: 弘前大学

    1987 - 1987

  16. ヴァチカン,システィナ礼拝堂天井・壁画調査

    田中 英道, 尾崎 彰宏, 長尾 重武, 麻生 秀穂, 若山 映子, 若桑 みどり

    Offer Organization: 日本学術振興会

    System: 科学研究費助成事業

    Category: 海外学術研究

    Institution: 東北大学

    1987 - 1987

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    (1)現在修復が進行中の「アダムとエヴァの楽園追放」「エヴァの誕生」と, これまですでに修復を完了した各場面を足場の上に登ぼり, 近接した場所から各部分を比較検討し,ミケランジェロの制作過程の推移について考察. (2)すでに修復した「ノアの泥酔」ならびにその四隅のイニューディ等に修復の結果, 弟子の手になる部分があることが判明, プットーを含めて各場面, 各形態を直接調査し, ミケランジェロと弟子の問題にも検討を加える. (3)フレスコ画におけるカルトーンの使用, インチジオーネ,スポルヴェロなどどのように使い分けられたのか検討する. (4)システィナ礼拝堂の建築について, その様式や思想を天井壁画との関連から調査する. (5)ミケランジェロと同 1987年(昭和62年)において,「エヴァの創造」およびその下の預言者,巫女像そしてリュネット部分を観察,調査を行なったが「研究成果の概要」にも述べたように技術的な問題と図像的な問題でそれぞれ研究調査を行なった. 「アダムの創造」はまだ修復にかかっておらず, 三場面「アダムの創造」「エヴァの創造」「楽園追放」まとめて考察するわけにはいかないが, 研究実積としては預言語,巫女像についての観察,調査がある. これは今回調査の「巫女エトルリア」が頂度同じシスティナ礼拝堂の壁画のシニョレルリの「モーセの遺言と死」の中の裸体の青年と形態的によく類似しており,さらにジニョレルリのオルヴィエートのサン・ブリツィオ礼拝堂天井画の「教会博士たち」,「族長たち」「聖処女たち」の中の多くの座像との関連が見出せることが新しくわかった. ミケランジェロの師として,シニョレルリの反サヴォナローラの「反キリスト」図を含む「最後の審判」の礼拝堂壁画との思想的関連が検討されねばならない. 「預言者ザカリア」が「聖ヒエロニムス」,「預言者ヨエル」や「預言者イザヤ」などが「族長たち」の人物達,又,「巫女デルフィカ」が「最後の審判」の天使に類似するものがあり,他の預言者・巫女たちも,かなりシニョレルリ図との関連が見出される. 又,その中に描かれたプットーたちも,「コンコルダンス(和)とカリアテュードのプットーたちが「ディスコルダンス(不和)であることが判明した. これまで預言者,巫女が切り離されて論じられてきたが,交互に一人ずつ配置され(祭壇上,入口上を除く),やはり四気質,四世代,四つの時,四大元素などの単位でそれぞれ四人ずつの単位で描かれていることがほぼ判明した. このことは研究代表者の第三回の調査報告に記されている.

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Social Activities 18

  1. 自由へのまなざし 十選

    2009/01/22 - 2009/02/06

  2. ｢野蛮」こそ「保守」の心構え――宮城県美術館の移転反対運動から思うこと

    2024/12 -

  3. （Mooc ）静物画のスペクタクル――レンブラントとフェルメールを中心にして「鑑賞者・物質性・脱領域」を考える

    東北大学MOOCコンテンツ

    2024/07/10 -

  4. おわりに――転換期を生きる新しい道徳をたずねて

    東北大学教養教育院叢書 大学と教養6 転換点を生きる

    2023/03/31 -

  5. 文化の想像力－新しい感性との出会い

    「放送大学ウェブマガジン ON AIR web」＞「キャンパス×教員」https://webmagazine.ouj.ac.jp/miyagi2302/

    2023/02 -

  6. 文化の想像力――新しい感性との出会い（客員教員のコラム）

    2022/10 -

  7. あらためて「教養」教育とは？

    2022/06 -

  8. 読書の年輪 ２０２２

    2022/02 -

  9. 建築にこめられた前川國男の「鎮魂歌」――平和国家を希求して

    『えっ！ ホントに壊す？！ 東京海上ビルディング 超高層ビルさえ消耗品にしてしまっていいの？』

    2022/02/01 -

  10. 「宮城県美術館の現地存続を求める県民ネットワーク」の活動意義

    「宮城県美術館の現地存続を求める県民ネットワーク」

    2021/07/10 -

  11. 「開会挨拶」

    シンポジウム「公共性と美術館の未来」

    2020/02/15 -

  12. 「学術・情報発信基地」としての出版会

    「宙」増刊号 東北大学出版会創立２０周年記念誌

    2017/11 -

  13. 「日本学」と国際学術ネットワーク「支倉リーグ」「まなびの杜」（東北大学広報誌）2017年春号

    2017 -

  14. 特異なリアリズム創造

    中日新聞

    2000/04/06 -

  15. アレコ問題に関する一提言

    アレコ問題懇話会（報告書）

    2000/04 -

  16. ②交流社会の創造 弘前市の文化振興を考える

    1999/09/18 -

  17. 「光と影の神話」（「レンブラント／彼と師と弟子たち」展から）「マノアの犠牲」ホーファールト・フリンク

    東京新聞

    1992/04/20 -

  18. 交流社会の創造――東北における現代文化の発信基地をめざして――

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Other 18

  1. 顔の表象【西洋編】『美術の窓』2025年3月号 No 498

  2. 「フェルメールとアジア」『花美術館』（vol. 84）2023年12月, pp. 24-33.

  3. 「フェルメールのエロティシズム」『花美術館』（vol.84）2023年12月, pp. 11-23.

  4. 「フェルメールのリアリズム」『花美術館』（Vol. 84）2023年12月, pp. 4-10.

  5. 「レンブラントの真筆とは？ 過熱する真贋論争のゆくえ」『花美術館』vol.76, 2021年12月, pp. 49-55.

  6. 「名誉ではなく自由を求めて――レンブラントの生涯――」『花美術館』76巻 2021年12月 pp.4-21

  7. 風俗画は誰のもの？ 『芸術新潮』（2021年11月号）

  8. （展覧会評）「ルーベンス：変身力」展（「西洋美術研究」20号（2020）三元社 pp. 208-215）

  9. (展覧会評）「フェルメールと風俗画の巨匠」展（「西洋美術研究」20号（2020）pp. 197－215-217.）

  10. 解説「フェルメールの静かな革命」『芸術新潮』10月号

  11. 書評 Junko Aono, Confronting the Golden Age: Imitation and Innovation in Dutch Genre Painting 1680-1750, Amsterdam University Press, Amsterdam 2015、『デアルテ』（33号）

  12. Akihiro Ozaki, "The 21st Century Hasekura Project: Japanese Studies as the Interface of a New Knowledge", Annual Report 2016(Tohoku Forum for Creativity)

  13. 書評「絵画としての版画、版画としての絵画：北方美術に見る「風景」の独自性」（幸福輝 責任編集『版画の写像学：デューラーからレンブラント』ありな書房、2013年）「図書新聞 第3146号 2014年2月15日号」

  14. 「静物」の味覚と個人の誕生の物語（書評：「図書新聞 第3092号」）上村清雄監修解説『味覚のイコノグラフィア』ありな書房、2012年

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    2013年1月1日 図書新聞

  15. 「私的世界が輝いていた時代」（書評：図書新聞 3057号）中村俊春編『絵画と私的世界の表象』京都大学学術出版会、2012年

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    2012年4月7日号 図書新聞

  16. 田中英道教授の業績と学風 『文化』（東北大学文学会）第68巻3/4号（2005年）

  17. 解説「レンブラント：終わりなき挑戦の画家」『芸術新潮』10月号

  18. 書評・H・ペリー・チャップマン『レンブラントの自画像 : 十七世紀のアイデンティティにかんする研究』, H. Perry Chapman, Rembrandt's Self-Portraits : A Study in Seventeenth-Century Identity, Princeton, 1990, 189p.（『美学』44巻、174号）https://www.jstage.jst.go.jp/article/bigaku/44/2/44_KJ00003903484/_article/-char/ja

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